To mark the 50th anniversary of the progressive mass protests of 1968, this six-week series of events will consist of workshops, film screenings, and a three-day symposium. These will bring together a large number of high-profile activists who were ‘ringleaders’ of the protests as well as artists and filmmakers who broke new ground in the accompanying counterculture. These will be accompanied by a wide range of researchers from various disciplines. The series will deal with events and experiences of ’68 internationally, including in Britain, France, Germany, Italy, Brazil, the USA, and many other countries.
Symposium, Friday, June 15th to Sunday, June 17th, 2018 inclusive
Three full days of panels, keynotes, round tables, evening film screenings, and an evening reception
The following special guests are confirmed for the symposium on June 15th-17th, 2018:
Francisco Foot Hardman
These ‘veterans’ of ’68 will be joined by a variety of cultural historians and social scientists in wide-ranging discussion and debate on the nature of the mass protest movements of that era, their achievements and shortcomings, their meaning then and now, and the lessons that they offer for today.
Workshops, every Tuesday, May 8th – June 12th, 2018:
Workshop 1, “1968, Cinema and politics”, Tuesday, May 8th, 2018
Workshop 2, “1968, Popular music, counterculture and resistance in Brazil”, Tuesday, May 15th, 2018
Workshop 3, “1968, Geography, space, and place”, Tuesday, May 22nd, 2018
Workshop 4, “1968, Technology and social movements”, Tuesday, May 29th, 2018
Workshop 5, “1968, Anti-psychiatry, therapeutic communities, institutional critiques of medicine”, Tuesday, June 5th, 2018
Workshop 6, “1968, Schools and Universities”, Tuesday, June 12th, 2018
Please see the Symposium and Workshops pages of this site for further details. This website will be regularly updated.
Please email any specific questions about the ‘1968 and its legacies’ series to: email@example.com
Organizing committee: Mark Shiel (convener), Patrick Ffrench, Paolo Gerbaudo, Sharon Gewirtz, Alex Loftus, David Treece
With thanks to the King’s Together Fund; and to the following departments at King’s College London: French; Spanish, Portuguese, and Latin American Studies; Geography; Digital Humanities; Film Studies; and the School of Education, Communication, and Society